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"Avatar: The Last Airbender" - Book Two

A message to lost people

"Avatar; The Last Airbender" has got to be one of my favorite series, period. It is one of the few series of which I own the whole collection on DVD and I still love watching it. In honor of the great story, characters, action and, of course; animation: I will (try) to do a succession of blogs on different aspects that I like/love of the series (probably ending with my views on the miniseries Avatar: The Legend of Korra). This entry is about Book Two. 

(WARNING: Spoilers!)

Book 2

Animation of this season: The animation feels a lot less silly in this season, comparing it to Book One's animation. Which I think is great. (Probably at that point the creators were really writing for an older audience, not just the youngsters :) ) Silliness, in my opinion, should mainly come from the dialogue and action; not solely the way of drawing (to heighten a comedic moment with a silly face is OK in my book. Not GREAT, just OK). And because there is more action in this season (especially near the end) you see more animation of the bending. Which is done beautifully, not only due to the fluid-ness of the movements (and no obvious physically impossible movements) but also due to the camera angles that they employ and the use of occasionally slow-motion. And again, great non-verbal moments from just facial expressions litter the episodes.

The first images of the season that we see are obvious dream scenes (as in the rims are faded and the images are from previous experiences) of Aang seeing himself do great (and terrible) things in the "Avatar State". We start the story with a throwback to the previous season's ending with master Pakku on the ship bound for the South Pole (Yes, he did mention planning to travel there). And we catch up with Zuko and Uncle Iroh, who have managed to escape the North Pole sea in one piece (having apparently survived a three week drift on a piece of wood to the Earth Kingdom without food or water or shelter ..... they're resourceful .... :/ ). And we have the unveiling (literally!) of the series new main antagonist, Azula (Zuko's still there, but less prominent) and get (another) show of her merciless disposition (the first being the shot of her gleefully expression watching Zuko get burned in "the Storm" in Book One) with her conversation starting with; "Do the tides command this ship?" (is it bad that I'm grinning when she says that in her 'I'm in control of my rage but I could zap you in an instance' voice?) and then when she's seen practising creating lightening and that 'almost' (perfect) isn't good enough. (very ambitious + very powerful = big trouble for protagonists)

Someone's gonna die (or several someones)

Azula also shows that she's a superb liar, and that she can easily ruffle Zuko's feathers ("Zuzu" XD ) as only siblings can (no love though). Thankfully Iroh is more observant than his nephew (or knows Firelord Ozai better as he doesn't idolise him) and thanks to him they escape the trap Azula set for them (also because the captain is a bit of the blabbermouth: "We're taking the prisoners home ..." ... Whoops! XD). After Zuko and Iroh fight their way out (and Iroh shows of his lightening bending technique for the first time), we get a cool non-verbal scene showing that (at least for the time being) both of them shed their former 'titles' (as Fire Nation, anyway, as that is a dangerous thing to be for them). The story with Aang involves him (under pressure of a short-sighted (figuratively) Earth Kingdom general) trying to get into the Avatar State artificially. Katara is worried about the plan as only extreme emotions have brought it up in the past, meaning whatever they find to trigger it will have to be extreme too. It turns out she is rightfully worried, as even when Aang tries to get out of the deal (seeing the danger himself as well) the general attacks in a last attempt to trigger the State. The worst part is that you get where the general is coming from; he's seen so much war and death already. He wants it all to stop asap. Everyone wants that. But the moment that the general gets what he wished for, any sane person would see that this is a bad way to go (we also get an insight that will return in the season final: if the Avatar is killed in the Avatar State, the Avatar cycle will be broken...).

That's a lot of people channelling their energy through you.

After two powerful insights in the first episode, we have a more 'sweet' episode that underlines (more that usual) Aang's crush on Katara. And we meet some cool (one-time seen) characters; the 'hippy' nomads (my epithet coming from their voices, attitudes and love of music, it just fits). Gotta love their random sayings like; "...Nice underwear ..." (= 'How to ruffle Sokka, lesson #1' XD). And we hear the song based on the legend of "the Cave of Two Lovers". 'Secret Tunnel' is a catchy song that introduces the way of travelling to Omashu (as the Fire Nation occupation (of Omashu it turns out!) causes flying to be too dangerous (BTW; does the leader of the Fire Nation squad that traps them in the caves have a Transylvanian accent?)). And in the tunnels, after the realisation that the tunnels are not static entities and the group gets separated (Sokka alone with 'hippy' nomads = 'How to ruffle Sokka, lesson #2' (I've never seen more 'face-palming action' in one episode)); we get the story of the Two Lovers (or as I like to think;  the mature version of Romeo and Juliet) which were Oma and Shu: the first Earthbenders. (And the fact that the woman who was the one that built Omashu (and was the first (surviving) Earthbender) is a nice twist to the forbidden-love motive). And we get our first real sign (a hint of a possible kiss) that Katara might have a crush on Aang (after he awkwardly, accidentally insults her), which 'helps' them find the way out (glow in the dark crystals = cool). And we finds out what's been making the tunnels (the true original Earthbenders); Badgermoles. Who apparently enjoy music (makes sense; enjoying paintings would be a strange hobby for blind creatures to have). And after our final great insight; "Nobody react to what I'm about to tell you; I think that kid might be the Avatar" (the kid you've been calling 'Master Arrowhead' all day...? XD) We end with the view of a Fire Nation-occupied Omashu, which means trouble.
During the episode we also catch up on Iroh and Zuko (who is already regaining some hair) as they struggle to cope with fugitive life (and both fail in getting food and staying away from poisonous plants), and are forced to get help from others (to Zuko's chagrin). But all is better than being captured by Azula. They meet one-time-in-series character; Song. Her brief appearance in the series caused a great 'disturbance' in the shipping wars (see previous blog if you don't know what shipping is), especially as you can see she manages to evoke empathy from the hardened prince. (Many believed/feared that it would blossom into something more...) Although he still shows he is a jerk by stealing Song's family emu-horse (much to Iroh's chagrin).

And when our heroes "Return to Omashu" to find Bumi, we meet our complete team of kick-ass girls that will also be on Aang's tail for the remainder of the series; Ty Lee (the cheerful 'chi-blocking' acrobat) and Mai (the sullen, serious expert on throwing small, sharp objects). Poor Ty Lee would have preferred to have stayed in the circus, but Azula "call a little louder" than her wish to stay where she's happiest. (I'd be terrified of Azula's friendship too) Mai lives in Omashu, and she's collected last by Azula. Azula, Mai and Ty Lee fight together after the city had been 'evacuated by people claiming to have 'penta-pox'(= all the Earth Kingdom civilians in Omashu except Bumi) because it is 'epidemic' (although the spots were created by the suction cups of pink pentapi (small octopi with only five arms) and are harmless (= another shining moment for Sokka's mindpower)). And Azula proves harder to beat or shake off than Zuko (both are tenacious, but she is brilliant at Firebending as well) (Note:  the sound given when Azula just gives a silent 'look' is GREAT! Every time it occurs I want to grin evilly!) The tidbit of the 'kidnapped' baby to bring out Bumi is a nice bit too (but poor, poor Momo the babysitter). We all get a taste of what the three girls can do (it takes Appa to get them to get back long enough to escape). And we get a lesson in Earthbending philosophy from 'crazy' king Bumi which is to "wait and listen for the right moment to strike"(neutral jing); click for more on Jing). Bumi's smart enough to know his time to escape and fight is later, not now (he can Earthbend by only using his head = awesome). And, we see that Mai has feelings for Zuko (as she hardly smiles, except when Azula arrives and when Zuko is just mentioned) which come to play later on in the series (to the Zutarians' chagrin (Again, for more on Zutarians and shipping in general, see my previous blog).).

XD

"The Swamp" starts with a little music-hint to 'the Blue Spirit' as the mask is towed by on a cart (= hinting to later when Zuko takes up the mask to provide for food), and Zuko showing that he does care for his uncle as the man the humiliates Iroh is later robbed of his dual swords (C'mon, everyone feels that was a justified act, right? No one should treat uncle Iroh like that). And we see the title's origin when our main heroes are flying over a swamp, and get 'called' to it, first subtly, then forced by a tornado (a tornado over a swamp? SUPERNATURAL!). Which causes the animals and human to be separated. Appa and Momo get some great non-verbal interactions as they try to find the main three again. And the three get attacks by vines (unless you know what happens next, you thing again SUPERNATURAL!!), and they all see ghostly visions in the swamp before reuniting (two of people that they lost, one of someone they are going to meet). Appa gets hunted down by swamp people (that are also Waterbenders), which have hilarious red-neck voices (banjos sounds and everything :) ). The big tree in the middle of the swamp is a wonderful symbolic image of oneness (or, if you want to be completely truthful; the main out-shoot in a swamp full of smaller out-shoots of the same plant). And who else loves the two ending shots; the tree flicking the bird off it's branch (SUPERNATURAL AFTER ALL; MWHAHAHAHAHA!!!) and the Blue Spirit standing tall in all his awesomeness.

Hell, yeah!

And yet again a more silly episode after the (more) serious, 'spiritual' one before, celebrating "Avatar Day" in a town that blames the Avatar for killing their leader in a past life (which Kyoshi did (in a way, she didn't actually touch the guy), but it was justified). But first we start with the 'Rhino Riders' attacking the main characters and Sokka loosing his boomerang, which leads them to the village that has 'Avatar Day'. And with two super cool, high-speed robberies by the Blue Spirit. Back to the main three; the village mayor has a voice that makes me not take any word he says seriously. He cracks me up every time (and part of me wants to strangle him for his cowardly cockiness, but that's another story). Sokka goes all Sherlock on us as he tries to clear the Avatar's name (which he manages to a fair degree). I like the fact we get to know some history of Kyoshi Island in this episode (with another sighting of Crazy Foam Guy!), and that we find out Suki and the other Warriors are out there (planting for a later episode). Our initial prejudices are challenged when the other rough-n-tough prisoners sharing Aang's cell turn out to be nice guys that have a sensitive conversation with him about his feelings on Katara. The Rhino Riders attack again after the weirdest trial ever (Sokka being reunited with his dear boomerang) and after the fight (and disgusting raw dough food) Sokka ends with the wisest words of the whole episode: "This is the worst town we've ever been to." (I would have add; 'the people here are nuts in the bad way'. But maybe that's just me) Otherwise the end of this episode is a preparing for the next few ones, especially for Zuko's story-line when he travels alone for awhile.

It seems to me elementary, Katara ...

And then we meet "the Blind Bandit", one of the most awesome female characters in my opinion. (Although it is fairly obvious that her initial character design had to be a big burly guy (which is referenced in the third season's parody episode and in the intro of every episode), but I like they changed it to a small girl. Adds humor and sheer awesomeness)

Because she's awesome!
(http://the-metal-bender-toph.tumblr.com/ )

And plot wise it makes sense that the vision was added earlier to push them into looking her up, otherwise; would they have tried that hard to convince her? I don't think so. Her rough-Earthbender attitude wouldn't have made them consider her as the ideal teaching type (especially for Aang, but more on that later).  And in Earth Rumble 6 is a fantastic way to introduce Toph as a force to be reckoned with, even at her young age (and it is a nice throwback to the theatrics of professional wrestling, especially the Boulder is hilarious). And it is a nice show that people considered handicapped are not necessarily in need of excessive 'babying' by parents or other guardians. They are people with their own strengths and weaknesses (and Toph's strength in her Earthbending is phenominal, she can 'see' thanks to it for crying out loud!). And they should show themselves at their best as well (I love the scene where Toph takes on all the Earthbenders in order to help Aang, defeating them all in her night-attire!).We end with Toph running away from home and her father employ two greedy Earthbending masters to bring her home (wrongfully thinking she's been kidnapped).

You can't run OR hide!
(if you can't see this image, it moves (.gif) so check your flash update or try Google Chrome)

The lack of Zuko (and Iroh) sightings in the previous episode are (partially) compensated by a whole episode devoted to Zuko in "Zuko Alone" (I couldn't get the title into a normal sentence, sorry). The beginning with him just riding, and refraining from robbing travelers because of the pregnant woman (see, Zuko, you do have a heart!) is very 'mood-setting'. Almost a western in it's way of depicting the sullen prince riding into a town, 'getting to know' a Earth Kingdom family (especially the son) and defending them against rogue Earth Kingdom soldiers in a 'final' confrontation (I was grinning and cheering as he knocked down the first few without even (fully) drawing his swords. Talk about mad and awesome skills!!). But it is sad that he needs to resort to Firebending to win the fight (but give him props for trying to win from the Earthbender without that skill *two thumbs up*). Besides the main story, the insights into his memories and what (additional! :S ) trauma he carries around in the hard head of his are interesting. This is actually also a western movie motive; delving into the silent and troubled character's past (through flashbacks). He never mentioned his mother before so it's cool to see her (and see mother-son interaction before he became so sullen). And it helps explain (partly) why he is so desperate for his father's approval; his loving mother isn't around to comfort or encourage him. Only in memories (but in the face of what he's been through since those memories, it makes sense that they aren't enough (or maybe are shoved off by Zuko as being delusions from by a young mind). Again, thank heavens for Iroh in Zuko's life). (Note: Even now we don't see Ozai's face, even though we do see (then) Firelord Azulon. The voice is menacing enough, though) And, again in true western fashion, we end with a shot of Zuko riding silently into the sunset. I'm almost surprised we don't hear harmonica music as we see it.

Tell me you don't hear 'Once upon a time in the West' right now!

Then we have "the Chase" of the century; the main heroes by a mysterious metal, train-thing. But that after the group struggling to incorporate the new-girl Toph. Especially as she is not used to things as sharing and being part of a group (having no experience with both things, being a only child, rich kid she probably didn't need to share or work together with others ... actually I am sure she never had to). And the growing lack of sleep doesn't improve moral at all as Katara and Toph keep bickering about their differences (which is all part of plan of the pursuers, wearing them all (Appa included) down till their rugged and weak and easy to catch). And after a big blow (and Toph leaving) out both Toph and the main  three find 'enlightenment' in their own way (Toph through the great Iroh, who of course was trailing Zuko after they 'split up'. Did you ever doubt that? :) ). Then we have the real big fight, starting with a three-way fight between Aang, Zuko and Azula (who is whipping both their rears in the battle) in a ghost town (again, very 'western-y'). Then they are joined by Katara, Sokka, Iroh and Toph against Azula. But just when you think the battle's done, she strikes down Iroh (THE *^@%^ BITCH!!!) and flees. Zuko, now being completely unable to make a sound decision with Iroh down, send everyone else running (including Katara who offers to heal him ... dumb) and angst over the unconscious Iroh.

Excellent advice

Then both Aang and Zuko are forced by their situations to indulge in "Bitter Work" in the next episode, Aang is starting his Earthbending career and Zuko tries to produce (then redirect) lightening (as they are both not that good at their tasks at hand, it is quite bitter:). Toph drills and pushes Aang mercilessly (as you've come to expect from her) and Zuko finds he has no inner peace (and that only starts coming halfway the next season ... is anyone really surprised?) which is needed to produce lightening like his little sister. So to up moral, Iroh shows Zuko (and us) how he redirected Azula's lightening several episodes ago (go figure, he developed it while observing the people of his natural element's opposite; water!). We end with a powerful image of Zuko's inner turmoil, metaphorically represented by the raging weather around him (inside becoming outside; a nice way to show the stuff going on). And I love the addition of some Sokka humour (sarcastic and otherwise) during his forced adventures with Fo-fo-cuddly-poops (best 'cute' name EVUH!). Besides the laughs, it does lead to Aang finding his Earthbending button by daring to stand tall while a big saber-moose-lion is charging for him (= thinking like an Earthbender instead of an Airbender). And my biggest thought on the episode; IROH'S AWAKE. PHEW! :) (and standing moments after awaking like the amazing person he is)

Even when the universe is 'nice' to Zuko, it hindering him ... at least it seems that way 

As Aang's Earthbending training continues, we come across a professor of anthropology of the Ba Sing Se (who would have been considered an awesome geek in this world. I SO relate to that guy; I probably would act just like that in that situation) and together with him go into a desert to find "the Library" of Won Shi Tong ('He Who knows a Thousand Things' = Cool Owl!). But as is as Sokka, being the brains, wants to learn about the Fire Nation; they search for it. (And we get a hint of the trouble ahead when Sandbenders are interested in Appa ...) On finding it, we see that Zhao has ruined access to the library because he destroyed part of the library (as he found stuff on the Ocean and Moon spirits there, and probably wanted to keep his nation 'safpe' from others like him) and therefore Won Shi Tong doesn't trust humans anymore. Poor guy, he just wants his knowledge to stay knowledge, not 'weapons' and other forces of destruction. I can understand that completely. And as he takes back his knowledge (the the Spirit World, or so I guess) only because Toph is there our main heroes not dragged below with it (although the professor does stay like a true knowledge seeker that he is). And, while Toph is busy keeping the library from taking her friends down, the Sandbenders come and TAKE APPA!!!! NOOOOOOOOOO!!! D': (Poor Toph has to LISTEN to Appa being dragged away (but between the two evils, letting Appa being taken away so the library doesn't take Aang, Katara and Sokka down is the lesser one ... Still sucks though) and she knows she'll get grief for letting it happen despite that she saved their hides) And we end with Aang's realisation that Appa's gone .... Ouchies for next episode guaranteed!

NOOOOOOOOOOOOOOOO.....!

As they have no more air transportation, our heroes have to get out of "the Desert" by foot. Aang in a rage glides about looking for Appa in the endless sands before returning to the main group. Zuko and Iroh, still on the run, get a surprise of the Rhino Riders (and we find out they are a 'very capable singing group' ... never would have called that XD  Those guys singing ...). The two fight them off and escape on their emu-horse. But their meeting does remind Iroh that he has 'friends' he can call on that will help them (Awesomenesws alert!). The White Lotus is not just a tile in a game as Zuko surmises :D. (and I love the fact that they escape the bounty-hunters following Toph first try to turn the Firebenders in for the reward, but fail because of the riot caused by others that want the reward too XD)  The main three, are still walking through the desert and slowly drying out. Only Katara is keeping the band together in the heat. We do get some comedy from Sokka (and Momo) getting high on cactus-juice, so this is not a total downer episode (He's HILARIOUS on the stuff!!). And the find of a Sandbender-sled means the four make it out (with a detour to a magnetic rock with GIANT vulture-WASAPS 0.0) and find the people that took Appa. Zuko and Iroh go to Ba Sing Se as refuges (after outwitting the bounty-hunters again). Aang confronts the thief (who says 'he's probably in Ba Sing Se now') and, naturally, goes nuts with rage of his loss until Katara calms him down (he was never apart from Appa, even in the iceberg. the first separation since they met!).

Now step back and watch them go bonkers

They apparently make it out of the desert after that, as we start the next episode with a waterfall and Waterbending. Aang is still very upset about what happened, but he keeps himself in check now (maybe a tad too well). They decide to go to Ba Sing Se via "the Serpent's Pass" as the map they have show it as the only route. But three travelers (also heading to the Earth Kingdom capital) tell they there is a ferry service instead of that deadly road only for 'the truly desperate' (careful viewers will note that they are the family that Zuko didn't rob in "Zuko Alone"). Zuko and Iroh are already on the ferry and meet a new faces (to them); Jet, Smellerbee and Longshot. As the food passed around on deck are the leftovers of the captain (unrightfully so), Jet asks Zuko to help him to 'liberate' some food. Zuko (tired of the peasent life) agrees. We see the Cabbage Man again when we get back to the four trying to get a ride on the ferry (poor guy doesn't get a break, as his cabbages are destroyed by security). It is only due to Toph prominent social station (and that she didn't forget her passport when running away) do they get past the crabby lady at the 'front desk' who doles out the tickets.

Hihihihi

And then we meet a familiar face, although you wouldn't recognise her at first; Suki (her 'intro' is GREAT, I love that Sokka only realises it's her when she kisses his cheek XD Sweet!). But due to the family's inability to take the ferry (all there stuff had been stolen (not all the bandits are as 'nice' as Zuko)) they go to the Wall via the Serpent's Pass anyway (is the eldest daughter (or so) a mute? She doesn't have one line in the entire episode, unlike her parents). Aang acting more and more indifferent about matters (very unlike him) and we have to deal with Fire Nation fire from one side of the Pass. Sokka, due to his experience with losing Yue, is overprotective of Suki when she comes along too. She tries to help him out of it, but he still feels guilty (as hinted at in "the Swamp") Back on the ferry Zuko and Jet 'bond' (Jet more with Zuko than the other way around, as he thinks Zuko is also anti-Firebender due to the scar...).(Note: who else loves that Longshot talks without talking to his pals?) Jet seems to want to change, but I think everyone is a bit dubious about that. Back at the Pass, we learn the origin of the Pass's name (water 'serpent'!) and it's only due to the benders that they make it out alive (Toph showing emotion to who she thinks is Sokka = Priceless (and Suki shows her stripes as a warrior; driving into the water with all her clothes, make-up and all ON)). Afterwards, the pregnant woman goes into labor, the baby girl (called Hope) helps Aang getting over his facade of indifference. Suki and Sokka kiss (finally!) and Aang vows to find Appa right away when the path clears of danger. But the sight of ridiculously-sized drill heading straight for the ridiculously-sized wall of Ba Sing Se forces him to put that plan on hold.

Hope

"The Drill" is obviously Fire Nation (the giant insignia is kind of a dead giveaway) and moving at a great pace for such a big thing (one thing I love about this series, the technology used seems very in sync with the world, never out of place. Korra is another story ...). And, as if it wasn't deadly enough, Azula and her cohorts are riding along. Mai and Ty Lee make quick work of the Earthbenders trying to stop the drill (but it's not like the Earthbenders would have been able to stop it from the outside. Their actions are a bit superfluous). I do like that Aang is like "I am the Avatar, take me to whoever's in charge." once they all get to the wall. He's really starting to accept his role in this struggle. (And Sokka in his role as the 'Idea-Guy'). And after a great idea from Sokka, they start taking the drill down from the inside (Sokka's really on a role with his brainpower, connecting chi-blocking with giant drill destruction ... not many people would have thought of that in a hurry). When we return to Iroh and Zuko (and after a traumatising scene with Iroh flirting with the ticket collector (admitted; the female ticket collector is worse than Iroh. Her 'rhoar' = Eeeek!). Like Zuko says; 'I'm gonna forget I saw that' ), we see Jet tries to convince Zuko to join the Freedom Fighters. Zuko refuses (as he realizes that Jet would have asked him if her knew his bending abilities. He's troubled, not stupid). But thanks to a not so smart move on Iroh's part, heating your tea in public; Jet turns obsessive again when seeing rightfully that the two are Firebenders. Back at the drill; Aang add to Sokka's good idea with some Earthbending philosophy which eventually leads to its disbandment after breaching the wall (additionally with water pressure from the outside courtesy of Katara and Toph and 'wall-juice'), despite the foolish Earth Kingdom general on the wall making poor decisions (would he be the same guy where Iroh got the knife from? He does seem like the kind of guy that would surrender as soon as the wall broke :/). In an awesome scene, the whole drill comes crashing down upon itself and the city is safe (for now...).
And Iroh and the couple with baby Hope meet on the way to Ba Sing Se :D

*sniggers in the corner*

The great city (and I mean great as in GINORMOUS) turns out to be a "City of Walls and Secrets"; starting with a scary woman called Joo-Dee (that smile .... chills down my spine! It's not NATURAL!) that meets Aang and the group when entering the inner wall and acts as tour guide and 'host' (aka. handles them). We find that inside the walls there is a tyranny going on almost as much as outside. Not only are the social classes strictly divided, but their is a strict policy of 'Do not mention the War' (Yes, a Faulty Towers reference) enforced by the Da-Li that goes beyond anything I've ever thought possible ... Shown as the terrifying Joo-Dee makes everyone sweat and lie! (I don't know if I would prefer this over Fire Nation dominance ...) Back at the two Firebenders, Jet is trying to to get them to Firebend (Note: 'Tired of tea! That like being tired of breathing!' Amen, Iroh, amen!), and poor Smellerbee and Longshot try in vain to stop Jet from going after them. But Jet gets tired of waiting and challenges them to bend. Zuko and he have a merry little sword fight (during which Zuko cuts Jet's trademark wheat stalk) til the Da-Li drag Jet off. The main four try to sneak into the castle, Katara and Toph and use a guy, Long Fei, to get into the party. But he proves to be hard to shake off. And just before they can talk to the Earth King the Da-Li drags them off too. They are put in a room with Long Feng and a huge fireplace blazing away. Long Feng turns out to be the head of the Da-Li and the entire Earth Kingdom (The Earth King having no real power), and he knows where Appa is too (ANOTHER JOO-DEE!!! AAAAAAAAHHHHHHHHH!!!!!). And with Jet as a example, they show exactly what happens if you do mentioned the war -> BRAINWASHING! .......... Scary SCARY episode!!!! (Cool, but scary)

Ter.Ri.Fy.Ing.

Almost as if to make us un-scared, the next episode shows us "the Taled of Ba Sing Se" as everyone waits for the official meeting with the Earth King (or just the days passing). We start with Toph and Katara  having a girls-day out of bonding, of which I totally recognise  Toph's reactions to the 'pampering' at first. And I get a lot of satisfaction of Toph and Katara 'drown' three obnoxious girls (They soooo had it coming). Then we have a bittersweet tale of Iroh, helping others (even plants!) where he can. But he can't shake off the fact he couldn't help his son when Lu-Ten needed him D': D': D': D': ..... Then a happier tale with Aang trying a career as animal wrangler ... with mixed results. XD He does prove to be a great Zoo designer, Earthbending-wise. Then poetry night with Sokka, where he almost wins a poetry fight against the poetry teacher present. (Luv Haiku's) And then we have the part that made the (Zuko) fan-girls go BALLISTIC; Zuko's date. (I thought is was HILARIOUS to see all the mouth-foaming reactions on the web) The awkward conversation between Zuko and his date Jin is funny too. (And he shows he can be nice ... when he wants too be). The kiss? A wonderful way to give many underage girls heart-attacks. XD And then we get Momo's tales, non-verbal adventures to find his big friend. (finding a footprint, but nothing else ... D':). I do like the compilation of smaller stories (it is less confusing than it would have been integrated with each other. I know that is what they usually do in the episodes, but two or three story arches are easy to keep clear than six would be)

No, no kissing scene here. Show some respect!

And then we find out what happened to our favorite sky-bison in "Appa's Lost Days" (it doesn't end with him being found ... but it's nice to know he's ok...-ish). Starting with his capture (WEEP!) and then the trading with 'Beetle-headed merchants' (seeing the helmets, literary!). But then it gets worse when he's sold to a cruel Firebending circus-trainer that makes him afraid of fire (CALL THE RSPCA!!!). But thanks to a Fire Nation kid (that reminds him of Aang, and he does look like Aang) gives him the courage to fly away during a performance. Thankfully the next people that find him (after he searches for Aang where he saw him last; the desert and wanders around the land (being seen by Iroh, and (thankfully) not Zuko)) are friendly; the Kyoshi Warriors. Under Suki's lead Appa's cleaned-up and restores his confidence. Until Azula and gang show up (having followed his trail of shedding fur) and they  have a fight. Appa wants to help, but Suki nobly tells him to leave, even though the Kyoshi Warriors are outmatched ... Appa goes back to the Eastern Airtemple where he grew up, and meets Guru Patik there he first mistakes for Aang (is also bald and wearing orange). Guru Patik manged to gain Appa's trust (due to his insane amount of patience), and tells the audience that he's there because he had a vision he would help Aang (and he will). He ties a message to Aang on Appa's horn and helps Appa locate Aang through energy (as they have been together so long their engeries are mixed). Appa makes it to Ba Sing Se and hears a whistle. Unfortunately, the whistling was not Aang but Long Feng, who traps him under ground with only a foot print remaining. It ties up the story till now nicely. Although the question remains; WHEN WILL APPA AND AANG BE REUNITED???!!

Momma and babies!
(if you can't see this image, it moves (.gif) so check your flash update or try Google Chrome)

Creepy episode ALERT! The Earth King has invited you to "Lake Laogai" .... 0.0 (I DO NOT accept. Note; the intro music is CREEPY AS HELL) We start with some lighthearted banter on Sokka's drawing skills (Toph's 'idiots-you-forgot-I'm-blind-again' jokes are very funny) and Iroh getting his own tea-shop in the upper ring of the city, because of his skills in brewing. And Zuko learn through a fallen flyer that the Avatar, A) is in the city (oh, crap; obsession alert!) and B) the Avatar has lost is sky-bison. (Obsession Alert!) And Aang decides to stop following the rules, much to Joo-Dee's dismay. Joo-Dee then goes to Long Feng and thanks to a little sentence ('The Earth King has invited you to Lake Laogai'), she goes from hysterical to calm .... Creepy!!!!! And as they illegally put up posters, we meet Jet (post brainwashing, that was pretty obvious, wasn't it?). Katara still holds a grudge (understandably, he did betray her trust pretty bad back in Book One). But because Toph shows that she can tell when (most) people are lying (due to the physical reactions of heartbeat) they 'trust' him when he claims he has a lead on Appa. (although Toph can't notice that 'Old Sweepy' sweeping up in there is lying when he points them in the wrong direction ...:S) Then they come across Smellerbee and Longshot who reveal that Jet had been taken by the Da-Li, which leads to a 'break' in the 'finding-Appa' case. After remembering what actually happened to him (and showing the viewers that it was the Rhino Riders who killed his parents), they head to Lake Laogai in search of Appa (and what the HELL is going on within the Da-Li, we even see Joo-Dee's in training ..... (fucking creepy)).

Welcome to my nightmares for the next few weeks ....

Unfortunately Zuko beats them to Appa (in his awesome Blue Spirit guise, and a captured Da-Li agent, but Zuko ruins the awesomeness by talking :( ). Long Feng finds Aang and the gang and the Da-Li fights them. They manage to hold their own (especially Toph the awesome), but Long Feng traps Jet and Aang alone and starts using Jet by 'controlling' him like he did (a) Joo-Dee in the beginning. Iroh catches up with Zuko in Appa's pen (managing to sneak past everyone just as well as Zuko :D) and FINALLY gives him a talk to (About time! Zuko needed some sense knocked into him!). Jet fights Aang till Aang finally breaks the hypnosis-hold by reminding him of his Freedom Fighting past and he turns on Long Feng again. And the head of the Da-Li .... er, .... OMG; LONGSHOT TALKS!!!! JET IS A DEAD MAN!!! On the shores of Lake Laogai the Da-Li corners the gang again. But Appa comes in to kick some ass (I especially enjoy his pwning if Long Feng, the spitting-out-shoe is the icing on the cake)! REUNITED!!!!!!!! FINALLY!!!!
And the Blue Spirit mask sinks to the bottom of the lake.

Goodbye awesome character .....
(if you can't see this image, it moves (.gif) so check your flash update or try Google Chrome)

Finally, finally we meet "the Earth King" (a bit of a dweeb, no offence but he is) as they decide to crash the Earth Kingdom palace. It is a struggle as the Da-Li tries to stop them entering (I nice place to showcase Aang's Earthbending powers, Toph cool moves and Katara's mad Waterbending skills. And Katara's constant 'Sorry' is funny). Although talking to the Earth King is troubled by Long Feng's influence (the pet bear, Bosco, helps him listen). And it takes A LOT of proving to get the King's backing against Long Feng (they need to show the Drill, after coaxing him along with a ride on Appa (the King's an animal lover)). The King gives his support to invade the Fire Nation on the Day of Black Sun. And due to several messages, the group splits up to their own little journeys before the invasion. Unfortunately as Long Feng rules the Da-Li, he still controls the city from his cell. Back at Iroh and Zuko's place, Zuko comes down with a  fever (literally). And in his feverish dreams he is scar-less (0.0) and two dragons (blue one voiced by Azula, the red one by Iroh) are arguing the two sides of himself. It kind of shows that the illness isn't physical, but mental (confirmed later by Iroh). Giving him him weird nightmares. Then Toph gets caught by the greedy Earthbenders who were still after her (luring her somewhere by a false understanding letter from her mother)! And our last image shows that the Kyoshi Warriors that have been welcomed into the palace ... ARE NOT THE REAL KYOSHI WARRIORS!!! IT'S AZULA!!! AAAAAAAAHHHHHHH!!! *dies of heart-failure*

How do people miss the evil oozing out of her?

But as Aang, Sokka and Katara are still unaware of the bad developments, we get a breather episode before it gets really intense .... Aang meets up with "the Guru" and starts opening his chakras to control his Avatar State (that goes well up to the last one), Sokka meets up with his father (in a heartfelt reunion), Katara attends the meeting of the five Earth Kingdom general and Zuko gets better. Way better. It's so scary to see Zuko so upbeat! (You just know it won't last...) (Note; for awesomely funny side comics (giving one example as to why Zuko's suddenly so different :D ) on that and the season finale; click this link (and check out her other stuff too, she's very, very good!)) Toph tries to get out of the metal cage she is in, first by trickery and then she develops Metalbending (a purer form of Earthbending, because  she's that awesome). Katara sees Zuko and Iroh in their tea-shop and then runs into Azula (who she mistakes from a distance as Suki, the makeup conceals a lot after all). The Fire Nation princess had already started planning to take over the city, rightfully seeing that who ever controls the Da-Li rules the Kingdom. Through manipulation Azula gets on Long Feng's side, while making him think he's controlling her (oh Yee of little know-how).

No offence, Zuko. Really.

Then it's "the Crossroads of Destiny"; or as I like to call it; 'where everything up to now comes crashing together and goes BOOM!' (I guess the real title is more elegant (and shorter) :D ) We start with the rescue squad meeting with Toph, then with Azula making a 'motivational' speech to the Da-Li. And then with Iroh and Zuko coming to the palace as a guest to serve the Earth King tea, but they discover that it was a ruse created by Azula. To escape Iroh shows he really is 'The Dragon of the West' by breathing fire. And Zuko shows he hasn't changed permanently by turning around and trying to face Azula. He is easily captured by the Da-Li and is thrown into in the crystal catacombs under the palace where Katara is already (Zutarians going NUTS as to the possibilities this presents! (for more on Zutarians, see my previous blog)). After some yelling, from Katara's side mainly, they get 'talking'. And Iroh goes to Toph for help to get Zuko and Katara back. He and Aang have a talk as they get Zuko and Katara (clearing Aang's clogged truth chakra while their at it :) ). Toph and Sokka go inside to warn the Earth King that the coop is happening. But as you would guess, they are to late to stop Azula from taking over (even Long Feng gets duped). And when she 'confronts' Zuko, he is shows he hasn't changed enough to stay off the wrong path yet again (earning him major hate from fans, BTW).  The big fight breaks out between Azula, Aang and Katara. Zuko joins in, fighting against Aang ... *sigh*  And the action gets realy intense (Katara would have beaten Azula if Zuko hadn't been there (and now the Waterbender really hates his guts)). The arrival of the Da-Li forces Aang to go into the Avatar State to win against the odds ('letting go' of Katara as he never wanted to before). But then AZULA SHOOTS HIM DOWN WITH LIGHTENING!!

O.O

(If he dies now = no more Avatar = world DOOMED)

Katara's face says it all she floods everyone to get her falling friend.

Pieta

She seems outmatched and unable to get him to safety when; IROH FIGHTS EVERYONE SO KATARA AND AANG CAN GET AWAY!!! (GO IROH!!!!) Iroh then gets captured (and gives Zuko a deserved disappointed 'looking-away'), and the gang (plus Earth King and Bosco) bring a barely living Aang away as they fly on Appa's back. The Earth Kingdom has fallen ..... wow

(I know this happens, I've seen the series several times; but it still is intense. No denying that.)

To be continued ...

"Avatar: The Last Airbender" - Book One

A message for lost people 

"Avatar; The Last Airbender" has got to be one of my favourite series, period. It is one of the few series of which I own the whole collection on DVD and I still love watching it. In honour of the great story, characters, action and, of course; animation: I will (try) to do a succession of blogs on different aspects that I like/love of the series (probably ending with my views on the miniseries Avatar: The Legend of Korra). This entry is about Book One of the series. (And no, I will NOT acknowledge the existence of a certain movie version of the first season in this blog ...) 

(WARNING: Spoilers!)

I find myself a bit privileged to say; I know exactly what it was like when I didn't know about Avatar and I heard stories about the plot from my friends. The same friends that convinced me to start watching the show (even though I thought is sounded a bit ... unusual; "... a girl that is part moon, that touches a moon-fish and dies? ... that sounds .... like a weird anime"). But despite my initial reservations; I gave it a shot (and I am sooo glad I did). And now; not only did we then had a group of three fans that loved the show and eagerly awaited each episode, but we could philosophize about the show too (= a pre-runner of this blog).

Book 1
First of all; the actual Animation in this season. The animation ranges (in my opinion) from Near-Realistic-Manga-esque to Over-The-Top-Japanese-esque. And although I’m not a fan of the over-the-top expressions (which would obviously be physically impossible) it isn’t done often and only in situations that ‘fit’ (or in filler episodes). Serious parts do not get that treatment, so the animation already gets a thumbs up on that. Additionally; the fighting scenes (or just bending scenes in general) are done brilliantly. It clearly shows that the animators had access to actual martial artists and had a good understanding of the created mechanics (and 'borrowed' philosophy from Asian religions) of the act of bending. I was surprised when I found out the moves used were known and practiced martial art styles in the 'real' world. They fit their purpose in the series very well. The bending seems very 'natural' to the movements, the elements that move due to the effort of the practitioner never feels forced of contrived.

The plot development starts slow (mainly in comparison with the next two seasons), but that adds to getting to know the characters and that the action and situations grow along with the characters (and the audience). Additionally, it's good to keep in mind that the original demographic for this show was 6 to 11 year olds. Brian and Mike probably never realized that this series would be so popular among older children (and not-children) as well. Therefore the first episodes could be seen as a bit childish in character (something that lessens significantly during Book One), but I personally don't find it that childish (Hello? Genocide. World-War. Giant Lethal War-Ships. Not really standard kids-stuff ...). The main three; Aang, Katara and Sokka (duh!) grow up during the seasons, and so does the (confused) antagonist; Prince Zuko (and yes, I'm a great fan of the conflicted bad-guy with a good heart. Sue me.).
That does mean that you have the time to get to know the characters (as they start out) and to get to know the plot (= the main goals for the 'foreseeable future') in the first three episodes. First of all, the discovery of "The Boy in the Iceberg" which then causes that "The Avatar Returns" to the world and then they go to "The Southern Air Temple" and then the stage is set for our three protagonists (yes, the titles mainly circle around the main trio, but not always). But the main antagonist gets plenty screen time as well. We watch as Zuko and his uncle; Iroh, find the Avatar, loose the Avatar (showing off the Avatar State) and watch Zuko win the Agni Kai against a ruthless Commander called Zhao (= a character that has gotten a pretty big following despite that he would have been a horrible person to deal with on a day to day basis), from who we learn some more specifics about Zuko's situation (and his main motivation as to why he is chasing Aang now).

Awesome garb, girls!

The plot only really gets going beyond 'pure' exposition (very cleverly woven into the dialogue, I'll give them that; but it still is exposition) and character-construction in the episode "Kyoshi Warriors". It's there we have the first interaction (that we see) with other people than the Water tribe and Zuko's crew. The first growth of character comes from Sokka, who is getting over his stereo-type image of girls (- Katara probably would have never changed his mind on the matter; he needed another strong girl (*coughcoughSukirockscoughcough*) to make him see past his own misconceptions). But I have to give credit to Sokka (and the people that created him) he does have a 'viable' reason for thinking this way. He was the sole warrior of his tribe for two years and was 'charged' by his dad to protect his sister (and the village) when he was just thirteen. That kind of adult responsibly on an (impressionable) young boy makes that boy view the world differently than he normally would have. He needed to protect the females of his tribe (as there were no more master benders/warriors there anymore) so his brain (to free his mind of 'excess' thought) jumped to the conclusion that all females need protection; therefore all females are 'weak' and 'non-warriors'. And like with a true journey into the world, his preconceived notions are challenged, and he rightfully (slowly) relinquishes them (and this episode is the first appearance of "Crazy Foam Guy"!). Aang also learns about attention going to your head in this episode. But that isn't as big a character development as Aang hasn't been in this situation before (or shown to want attention for attention's sake). Sokka is the 'main' psychological focus. 

*rolling over the floor laughing*

A wonderfully funny and insane yet intelligent character makes his debut in the next episode ("King of Omashu"); Bumi. As copiously stated in my last blog, crazy yet clever characters on the side of good (or bad, but either way they need a lot of flair) are a particular favourite of mine. Bumi gets a whole episode to highlight his wacky yet perceptive personality, and his awesome Earthbending skills which is the first time we really see it in action during the series (and I especially love the link with Aang's past as he finds at least one of his old friends is still around). And it is the first sighting of another popular minor character; "The Cabbage Man", who like "Foam Guy" has gotten a bit of a cult status among fans of the show.
This episode could be seen as a filler episode (until you get to the Book Two and Three where Bumi makes several comebacks, so this planting was necessary plot-wise. But at this moment you wouldn't know that). However, I do like the fact the audience, and the two Water-tribe kids, get there first glance of a Earth Kingdom city and the ways of Earthbenders (and people that haven't been captured by the Fire Nation) before they get to North Pool (After all; it's still  a long, long way to Ba Sing Se :)).

I'd totally go sliding in Omashu!

To contrast the image of a free city, the next episode concentrates on Fire Nation occupation of an Earth Kingdom town, or an "Imprisoned" town. Fire Nation soldiers forcing protection money much like mob gangs do. And all (known) Earthbenders (with almost Third Reich-like precision) are taken to a lake bound oil-rig-like structure where moral is broken. With two voices that bear mentioning; the Warden, who's voice cracks me up every time I hear it, and Haru's father, Tyro's, who's voice is just awesome.
I have to say, this episode makes my toes curl; not the whole thing, only when Katara keeps trying to inspire the Earthbenders to fight back. Its so cheesy. I do admit to (internally) cheering once they start fighting back, but the road to it.... I don't particularly care for it. Too much talking about courage for me to really take it seriously. If there would have been less speaking about it, maybe I would like this episode better. Although the last shots of Zuko finding Katara's necklace are excellently put together (-> first you only see that a soldier is picking it up, then the shot pans up to reveal Zuko, surprise!).

At this point we are nearing the "Winter Solstice", two episodes that focus on the spiritual tasks of the Avatar; being the bridge between the 'natural' world and the spirit world (and the problems he'll need to solve occasionally). (Note; the talk/show about hope and such is done MUCH better in this episode than in the previous one (the symbol of the acorn is perfect)). We also catch-up with Zuko and Iroh (during the previous episodes we had only the one short scene of Zuko finding the necklace on the water-bound prison). I love the fact that although Iroh seems to be a gentle old man most of the time (and he is), here he also shows he has cunning and manipulation skills beyond coaxing his nephew to other (better) courses of action. His line "These chains are too loose" makes me grin (who would take a "These chains are too tight" claim form a prisoner serious anyway?). And we also see an example of his open-minded spirituality when he shows that he can see Aang fly by while the latter is in the Spirit realm of the natural world (and no one else sees Aang). Zuko shows that he truly cares for his uncle too, not only by going after him to rescue him but also ignoring a flying bison sighting. And we have our first speaking part of Avatar Roku (as Aang has yet to get the hang of speaking to his past lives at will. He needs help from the solstice at the moment), and we see that the Firelord's conquest has shifted loyalties even within the temples once dedicated solely to the Avatar. Commander Zhao also makes a comeback, with his 'sideburns of doom' (For an awesome "What if" story starring Zhao (set a few years after Book Three ends), follow this link and read the comic! (warning; it's addictive and 400+ pages!) The artist (~rufftoon) actually did work on the series, so she's loyal to the characters and the world. And her other Avatar-related art is brilliant too(that 'fan-meter' above is her's as well); CHECK IT OUT!!!) confirming again that he has issues in control while angry. And we find out there is an even bigger deadline for Aang to master the other three elements; Sozin's Comet that's coming at summer's end. Which is nice thing to keep the plot going forward, as without a deadline the urgency would be far less and that is part of the tension building to the final climax.

Aang is starting to feel the pressure to learn waterbending, which eventually leads to Katara stealing "The Waterbending Scroll". The main things I think people remember from this episode are the pirates, Katara's jealous outburst at Aang's casual talent at Waterbending(, the 'Cabbage Man' makes another appearance!) and the scene with Zuko and Katara (= him offering her necklace back for Aang). That is the scene that either launched or confirmed 'Zutara' in the minds of many, many fans of the show. (What's Zutara? See this and click on the link under the picture (if the picture wasn't clear enough ;) ) Additionally, Sokka (now and in the upcoming episodes) starts moving from comic-relief to an intelligent strategist and somewhat of a diplomat ... that cracks ironic/sarcastic jokes.  And the most shocking thing occurs near the end of the episode; Zuko's laugh is seen and heard. The ONLY one of the ENTIRE series! (OK, he chuckles once in a future episode as well, but that's not an actual laugh in my books)

(BTW; Uncle Iroh is AWESOME. Just saying.)

"Jet" is an interesting episode/character, especially if you put him (the character) back to back with the current main antagonist, Zuko: after losing their parent(s) (Zuko's father might still 'be around', but is that a real father? Seriously); one goes onto a full rampage to destroy the perpetrators, no matter what the costs, and does a 'good' job up to a point; the other also goes on a rampage to get back his honour, no matter what the costs, does a poor job most of the time. One starts out as a 'good-guy' and turns out to be bad (I'm ignoring Ba Sing Se for the moment, but that will come in the blog about Book Two), the other starts out a bad guy and turns out to be sympathetic (as his back-story is arguably even more tragic than Jet's). Showing that first appearances are not always something to go by blindly, and that without Uncle Iroh acting to keep his conscience alive; who knows what Zuko would have become ...
Sokka also shines in this episode, again showing that underneath the aloof, wise-cracking exterior; there's a well-developed mind and heart. Katara's crush .... well, can you blame her? Jet's suave, self-confident and he intentionally swept her off her feet; something she had never experienced before (and I don't think her mom lived long enough to warn her about 'bad' guys).

"The Great Divide" is perhaps a stereotypical filler episode, but it does give a character study on feuds and shows Aang growing more and more comfortable in his role as Avatar. That's all I'm going to say about it. 

"The Storm" is a great episode, even just plot-wise. You find out of two character what crucial events shaped them in their (near) past; Aang’s reason for being in the iceberg and how Zuko got his scar, with the metaphor of a storm to carry the weight of the two (harsh) back-stories. Both characters have a burden of past mistakes and 'scars' that needs reckoning, which only then truly becomes clear. It adds depth to the goofy kid, adding (even more) ‘angst’ to his character (as if the genocide of his people wasn't enough...) ; and to the sullen bad-guy, adding a tragic (and abusive!) past.

 .... who didn't grimace (or cry) at this point?

Both stories are told to others (to those that care; they are frame narratives) which is in my opinion a bit more powerful than just a inner-flashback. The people hearing the story interact with the teller, ask questions that might not have been answered with only a flashback. And as the audience is shocked by the things told; the characters are too. It kinda reminds me of late-night talks around the campfire, where the darkness somehow makes everything get a more serious turn and people feel safer to express their feelings. When one story is surprising and/or shocking, the people around you react as well. That makes the moment more potent, as the story is and isn't told to you directly. I find that very intriguing and well thought-out

Warning for spazzing up ahead; I love, love, love the theme music of the next episode, in particular the music accompanying "the Blue Spirit" (Listen to it!!!!!!). Whenever I hear just one motive of the music in another music piece, I always look for a sighting of the Blue Spirit (even when the music isn't from this series ...). I love this side-character! His proper introduction, with the three camera shots (and music), showing him just before he springs to action, is brilliant! And how they show him in action, silent and sneaky like a ninja, ..... I can find another word than AWESOME! I can't believe that I'm the only one who thinks that (I have to admit; the Yu-Yan Archers are awesome too, but the Blue Spirit out-awesomes them), just watch the episode again and see for yourself. Aside from that, it's interesting to see what the Fire Nation would do with Aang if he would have been captured (more permanently, that is). Although it is also particularly satisfying to see Zhao getting cocky, just to lose later on. And the Blue Spirit's identity reveal is surprising, but once you think about it; it makes sense that Zuko would go that far to make sure he is the one that catches the Avatar, and no one else. He is fairly obsessed about it (read: his honour).

... and I want that mask!

In the following days; Aang's crush on Katara is confirmed yet again by actions and when he asks "the Fortuneteller" about his love-life (despite all she sees is his duties as an Avatar). And I like the little hint of (future) Kataang  (What's Kataang? See this and click on the link under the picture (if the picture wasn't clear enough ;) ) when we are reminded what a powerful bender Aang actually is (he is a full Airbending-master, otherwise he would not have those arrows). But I think this episode also solidifies Sokka role as the 'science' man of the group (and I can understand his aggravation that people's beliefs are hard to changed). Although Aunt Wu gave a nice message at the end of the episode; '(Just as you reshaped the clouds,) you have the power to shape your own future.'

With "Bato of the Watertribe", we see images of Sokka and Katara's father for the first time, and find that Sokka is a lot like his father. Aang shows he can be petty and greedy, although his conscience doesn't allow him to keep the secret long. (But plot-wise, it was better that he wasn't with Katara and Sokka when they are found). Zuko's progress to track Aang is also stepped up a notch by the introduction of Jun, the savvy female bounty-hunter (who will make a comeback later in the series). She is enlisted as we travel through the places of the previous episodes; which is nice to span those episodes that we didn't see them directly tracking Aang (officially, that is). My final word on this episode is on Iroh crush on Jun. It could be labelled as funny or disturbing, but I'm neutral about it. Especially because it doesn't lead to any relationship in the series. (Additionally, being a non-Zutarian, I have to point out that Zuko's casual response to Jun's 'What? Did your girlfriend run out on you?' would have been more of a denial if Jun had actually hit a mark. (And Katara was clearly sarcastic when she tells Aang to 'thank' Zuko for returning her necklace) But then again, this argument would only convince other non-Zutarians (it's like Sokka trying to convince the people in "The Fortuneteller") ...)

Later; Jeong-Jeong, "the (first) Deserter" of the Fire Nation, shows Aang why Firebending can be very dangerous (as well that Katara has healing abilities). And his former pupil, Zhao, does the honours in showing why self-restrained and discipline is very important in bending. ('Don't ask me why, but I thought you'd be better than Zuko.' XD) The episode begins very funny with great Sokka one-liners (and a little reference to Blue Spirit in a wanted-poster) and a glimpse into daily life of the Fire Nation (their festivals and food, etc.). And, is it just me, or does Chey (the second living deserter) sound and act a bit stoned? Especially at the end when he is literally forgotten and left behind by the others: 'Hey, where'd everybody go? ... Very funny, guys!'

Teo, Wat a mac!

When passing "the Northern Air Temple" we see another way that abandoned buildings can be used; although Aang isn't thrilled at first by the developments (He can't be blamed that much, it is hard to see all those relics and drawing surrounded by pipes). We have some new allies for Team Avatar, 'airborne' one like Teo. And we see where the machine and future airships of the Fire Nation (the ideas have) come from. (this is again a pure 'planting' episode for future events)

We finally get to the North Pole and meet "the Waterbending Master"; Pakku. A grumpy old man that has thoroughly embraced the sexist-traditions of the Northern Watertribe. Katara goes all out to show women shouldn't be excluded from bending just because of their gender (another strong-Katara episode, which is also handled better than in "Imprisoned"). And she gets vindicated in the end, after revealing that Pakku was first supposed to marry Sokka and Katara's grandmother but she left before it happened (for an awesome (shortish) comic depicting that, go to this link and read it (and look at the artist's other stuff too, gotta love her Avatar gag-comics)) And Sokka gets a sweet crush on Princess Yue, who is engaged to a young man who she didn't choose for herself.
In the other story-line; Zhao is preparing to attack the Northern Watertribe and comes across Zuko's vessel too. On board of the ship, he realises Zuko's the Blue Spirit (which is handled BRILLIANTLY! I love Zuko's expression when Zhao picks up on of the dual dao swords. They both knew on that moment that the other knew:)

That face says it all

And later the pirates (from "The Waterbending Scroll") nearly blow Zuko sky-high after Zhao pays them to do it. It's only Zuko's sharp hearing and general paranoia that helped him escape with his skin (and again a lovely piece of animation when Zuko realises he's in big trouble, seconds before the ship blows). And; be honest; seeing Iroh's face fall while staring at the burning wreck is heart-breaking. You're happy for his sake when you later see Zuko managed to survive the blast. 

I love this shot too

Katara is seen to kick ass in the next episode, showing that she's become a proficient Waterbender. Sokka and Yue bond despite her reservations (read, her engagement). And then sooty snow falls, which shows that Zhao has started "the Siege of the North"; which lands a devastating blow to the Northern Watertribe. Aang tries to dismantle as many ships as he can, but the sheer ridiculous quantity of them makes it impossible for him to fight them all with only his Airbending and Waterbending skills at his disposal (the Avatar State would have been mighty handy, maybe that's why its used in the first episode of Book Two; to show how hard it is to achieve 'at will' for a new Avatar). Even a trip to the Spirit World only shows Aang  more things he needs to do, no real wisdom to win the battle. Although the spirit attack on the Fire Nation that he hoped for did occur eventually.
(The Yin and Yang symbolism of the relationship of the ocean and the moon is very interesting. And it is clever that they are called "Push" (Tui) and "Pull" (La), literally, as that is what they do (or 'is the nature of their relationship' as Koh, the Face-stealer, said to Aang in the Spirit World. BTW; Koh is terrifying!). And I also like that they don't just show that the spirits sometimes need help, but that they can also kick ass if provoked.)
During the showdown at the spirit oasis; Iroh, like the great guy he is, takes the Avatar's side in the battle for the continuation of the Moon Spirit, Tui. Making good his promise; 'Whatever you to to that Spirit, I'll unleash ten-fold upon you!', when Zhao kills the Moon Spirit makes him run off to where Zuko finds and fights him. The Ocean Spirit, La's, fury at the attack leads to an awesome 'possession' moment where Aang (or 'Avatar') and La, the Ocean Spirit, together become a watery entity that is sometimes referred to by fans as Koizilla (not surprising, although La is more justified (and selective) in his destruction than the 'namesake').

''No, it's not over....

So in a sense, because La, the Ocean Spirit, wants to avenge Tui, the Moon Spirit's destruction; the Watertribe wins the battle. Zhao's overzealous attempt to de-balance the world is actually an instrument of his siege's destruction. And "Zhao the Moonslayer" 'disappears from the series because La drags him under (again; follow this link and read the comic! I command you!) :). And Yue's transcendence to become Tui (as she was healed by the Moon Spirit as a child, therefore some life-force of it lingered in her) has to be one of the saddest moments of the series (especially for Sokka). During all this; Zuko tries to get Aang again, and would have succeeded if there wasn't a blizzard ... like he says himself; just his luck.

The suspense of the season's climax does feel real (and tragic), especially as you don't know Zhao's plans before he actually tells them. All you know is that it will be big and bad, especially as the force he managed to get such a force behind his cause. (Zhao's line 'We're going fishing.' is the most evil use of that 'common' phrase EVER!) And another (final) great animation moment, the wordless moment when Aang and Katara embrace and when the gang pose in front of the sunrise, 'signalling' the continuation of their journey.

And finally, a quick word on the biggest antagonist of them all, the Fire Lord (Ozai). The series was very clever in only giving us mentions and off-screen shows of his ferocity and silhouettes (occasionally against a wall of flames) when he speaks to Azula at the end of the season. Not real reveal until the third season when you finally see him head on (which makes sense, as that is the first time that a main character sees him (again) in the series too). That adds to the tension and the fear that builds as the time of the comet’s passing gets closer and closer ...
(And the fact that he’s voiced by the great Mark Hamill adds MEGA brownie-points in my book) 

Three acting jobs in one symbol :D

(How is he the younger brother of Iroh the Awesome ....?)


And this concludes the rant on Book One of "Avatar: The Last Airbender".

- But I'll probably edit this text in the future, as I am prone to sudden 'brilliant' epiphanies. Edits will be marked. 


Coming Soon: A Rant on Book Two!